Friday, May 16, 2008

1001 Historic Sites

1001 Historic Sites You Must See Before You Die

1001 Historic Sites You Must See Before You Die is a giant compilation of photographs and short descriptions of great historic sites around the world. The book is close to a thousand pages long, weighs as much as - and sort of looks like - a brick, and was put out in collaboration with UNESCO. I was sent this book to review by its publisher, and I must say that I am happy to have received it. I have no qualms with receiving free books, and 1001 Historic Sites is a great conversational piece and can be easily be browsed through in comfort at brief intervals. It is one fine coffee table book (too bad I do not carry a coffee table with me).

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Wade from Vagabond Journey.com
in Upstate NY, USA- May 16, 2008
Travel Photos
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"1001 Historic Sites You Must See Before You Die is a comprehensive and sumptuous visual guide, and a one-stop compendium of the historically important must-see sites around the world," states the opening sentence of the book's truthful introduction. From here it goes on to include a preface by Koichiro Matsuura, the Director-General of UNESCO, and then gets right into the meat of the book: the historical sites. The books editor, Richard Cavendish writes in the introduction that, "In this book we have picked out 1001 sites that can still be rewardingly visited today where important and fascinating things happened in the past." That is basically a good summation of the book in total.

This book covers historical sites from the prehistoric ruins of Stonehenge and Ankor Wat to the great churches and temples of Medieval Europe; from the Aksum Stelae of Ethiopia to 20th century slave labor camps and world war battle fields; from places of great fame to places that I have never heard of. 1001 Historic Sites is a book that takes as its theme the documentation and portrayal of man's connection with his landscape, creations, and history: it is a celebration of the human experience of planet earth.

1001 Historic Sites is not a book to be read; rather, it is a book to be browsed and shared. It is structured to make for easy reading that can be done at intervals and commenced from any point between its covers. The descriptions of the historic places are very concise and the photos good and typical. Last night I picked it up to look through with my family, and it served as a good medium by which I could talk about the places in it that I have traveled to. The only problem with the book is that its photographs tend to show the places in a very romantic light, as, if one were to go to almost any of these places, they would find them over run with tourists in cotton spaceship hats, sandals, and khakis. But, in lieu of this, the book's photographs can be dreamed into as one vicariously travels not only across the world, but also through human history.

I give 1001 Historic Sites You Must See Before You Die a rating of 7/10. I feel that it serves its purpose well and accomplished what it sets out to do. Which is to be an expansive, yet very general and quickly browsable, photographic journey into human history across the world.

I am pleased that this book was sent to me.

For more information on this book please go to www.barronseduc.com

Wade from Song of the Open Road likes to review books. If you would like your book written about on this blog please contact me at VagabondSong @ gmail.com. I do not accept money for this . . . . only free books.

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Thursday, March 20, 2008

Travel Guidebooks: To Use or not to Use- Travel Tip #8

Travel Guidebooks: To use or not to use- Travel Tip #8

Guidebooks, guidebooks, guidebooks, a big question. Should a traveler use them? Are they really helpful? Are they worth their weight and cost? Is traveling more enjoyable without them? Can I travel without one?

This long rant and more in this travel tip. Be sure to leave your comments and opinions below These are only my impressions. Tell me what you think.

The Cons of Using a Travel Guidebook:

Travel guidebooks tend to be big, heavy, expensive, incorrect, out of date by the time they are published, often times not well researched to begin with, and they make you look like a ripe idiot every time you use it within sight of other people. What is more, is that you can travel the world without one. They are not necessities.

A guidebook is a clear cut sign that you have no idea where you are. I think most travelers feel a little bashful about digging out their guidebooks in a street full of people. It is a flashing sign that you have no bearings on your current landscape. I recently met a Norwegian traveler in Panama City who taped up the cover of his Central America on a Shoestring with a think coat of white medical tape because he was embarrassed of it. He did not want people to know that the book he was coddling reverentially, was, in fact, a guidebook.

Guidebooks also have another major disadvantage to the traveler: they guide you. As much as you want to travel your own path, if you use a guidebook, you will often times find yourself moving very near to most other travelers. This is alright if you want to speak your native language for a few nights or make some traveling friends, or just want to relax and let the book tell you everything you need to know. But it is also a drawback if you really want to interact with the people of the country that you are traveling through. Guidebooks pave the road for tourism, and tourism means that I become Money rather than human. Guidebooks keep you on this trail, as they seem to imply the message that they ‘have the country covered’ and that their listings of places to go are to be chosen from like food on a menu.

It is sometimes difficult to leave the realm of the guidebook. Well, if you carry one. They could often times be better used as guide to tell you where NOT TO GO rather than help to travel to where you want. If a place is in that guidebook, you may want to avoid it!

Another disadvantage to these books is that they essentially act as advertising services, even if the publishers deny the claim, as travelers tend to gravitate to the places that are mentioned in the guides. Therefore, a listing in a guidebook is the best advertisement that a hotel or restaurant owner can have, even if they are not worthy of the privilege. This often times has the impact of driving up the prices of the places that are recommended by the major guidebooks. If a hotel is advertized as being cheap, by the time you get there it may not be.

One of my major problems with popular travel guides is that they are saturated with useless information. 70% of the bulk of most guides are full of information about shopping, nightlife, mid and upper class hotels restaurants, and other nonsense that I could never use. Why would I want to carry around junk that I can’t use? Why do I want a book that is 70% useless.
My final complaint is that the popular travel guides seem to be living off of their reputations and lack of competition alone. I believe that this is to the point that their quality has greatly diminished. Guidebooks are all too often wrong. The people who wrote them can not be trusted. Sometimes I truly believe that their margin of error is blatant negligence.

But oh well. What can I do? Shut my mouth and make my own travel guidebook? I know not of a more lamentable fate hahaha. Who would want to do that? But finances being what they are, I may have to one day put my nose to the grindstone and find out for myself if a good travel guide is a possibility.

The Pros to Using a Guidebook:

Given all of these drawbacks, when I ask myself the question: “Should I purchase another big, nearly useless, heavy, expensive, price-raising, incorrect guidebook,” my response is usually without much conviction. But for all their drawbacks, guidebooks do occasionally come in handy. And if you can get one for free they can sometimes be good tools. Get one for free???. . . hmm .. . maybe that hostel has a few that were left behind by past travelers??????

I think that the travel guidebook is a really good idea: they have maps, they have immigration information, advice on how to get to other places from where you are, and they also suggest areas of town where you can find a cheap bed and meal. In their ideal form, they are suppose to be nothing other than traveler tracks left for other travelers. I like the ideal of this.

Another great aspect of a guidebook is that, deep down inside of them buried somewhere, they have information to help travelers travel. This sounds very base, but sometimes it is a little difficult to find local people who can really tell you how to get from point A to point B if the distance is beyond their realm of knowledge, or where the cheap hotels are. Guidebooks are also helpful in big cities.

The travel guidebook is also not a new concept. On his monumental Vagabond Journey Around the World, which took place over a hundred years ago, Harry Franck makes references to using guidebooks for some the regions that he traveled through. I also once read somewhere that the Footprint Central America and Mexico guidebook is a descendant of an edition that had its advent in the 19th century. So the travel guidebook is nothing new, people have found them useful for a long time.

If guidebooks were really set up for the traveler rather than the tourist - or “tourists with backpacks” as Andy calls them - I would use them without a hitch. But they are generally not written for people who travel with little money. As the guidebook companies seem to be far more concerned with people who travel to shop and go on tours. I cannot blame them, these are the people with money. So if I do happen to use a guide, I do so with the fact in mind that they are published to be sold, and to sell other things. I know that I must read them and take their information selectively. I know that I cannot trust the information in the guides, and that there are usually cheaper and better alternatives to what is published.

Another great advantage of carrying a guidebook is that they allow you to feel as if you are a little more prepared. They have maps in them that would be difficult to obtain in other ways, they have the addresses of hotels in case you arrive in a city at night and want to take a taxi, and they have information that allows you to orient yourself to your surroundings. Just knowing this, the travel guidebook can help you navigate the world with a little more confidence and in a little more comfort.

I know that if I allow a guidebook to just be a little helper on my journeys then they really do come in handy. But I do not wish to be ruled by them. If I used them only when I have exhausted other methods of obtaining information then they serve as a real good backup device. But I do not like planning my journeys around them. If I can come upon one for free, then pride will be my only barrier to using it.

The best part of having a guidebook is that it is a sure thing guide of where NOT TO TRAVEL.

Do I need a Guidebook?

So when I am pondering if I want to pick up a guide or not I keep the following questions in mind:

1. Can I communicate in the dominant language of the countries that I am to travel in? The ability to ask and understand directions is clutch to removing the need of a guidebook.

2. Have I traveled in this region before? Previous travel experience is an obvious factor in choosing to carry a guidebook.

3. How easy do I think traveling is in the region where I intend to go? Am I going to Western Europe where the traveling is relatively straight forward or Central Africa, where the going is a little more complicated and the assistance of the information in a guidebook could be of a little more use (or not)?

4. Do I have, or can I obtain, good maps for the regions that I intend to travel through? A good road map and supplemental city maps can be a good substitute or accompaniment to a guidebook.

5. Do I have time to do a little preliminary research? Do I have a month of down time before I travel to a region, or am I always on the road at the expense of internet cafes? If you have a solid, cheap internet connection with a printer, the need for a guidebook becomes a little more obsolete.

If I can answer ‘yes’ to most of these questions, then I usually will not use a guidebook, unless I just happen to come upon one. But if I plan on an extended run of travel in a country where I cannot speak the local language and English, Spanish, or Chinese is not a usable option then I may consider obtaining a Lonely Planet Shoestring guide if one is easily available.

Lonely Planet Shoestring Guides:

For the most part, the only popular guidebooks that I can really recommend are the Lonely Planet Shoestring edition. They make no pretense at fully covering countries, and are basically just rough sketches of the regions they cover. I think this is good. They come in handy where they are needed most- in big cities - and they seem to keep quiet about everywhere else. Even though I think that they are not as good as they could be, and in actuality, I am unsure if they are worth their $30 price tag, I find them far better than the rest of the guidebooks out there. Regular Lonely Planet guides are so full of useless information about shopping and upper class nonsense that the quality information for the back-packer or traveler is severely diluted, if not non-existent. Regular LPs are pretty bad, and Rough Guides, Footprints, and Lets Gos are far worse in my opinion.

There is definitely a big market open for someone to make a good, make sense, guidebook.

To Remember:

The following are some ideas that I have found useful to keep in mind while traveling.

1. Guidebooks are often researched and written by people who have money, rental cars, and are living far beyond my budget. It seems to me that a person who is able to travel without much economic restraint is probably not going to put up with the hardships of finding the cheapest and best traveler options. They probably will not even know of them. So there are many more cheaper hotels and restaurants than what are represented in the books. I think that guidebooks are written by people who genuinely wish to share quality travel information, but, I suspect, that they can not be considered in the same economic league as most travelers.

2. Use a guidebook as something that helps you travel rather than something that tells you what to do. The information in a guidebook is just what the researcher happened to come upon; there are usually way more other options. Allow a guidebook to help you to find a cheap part of a city, in which you can select your own options, rather than lead you to the doorstep of any particular hotel or restaurant. If I use a guide, I just consult it when it is needed (as I know that all too often it is wrong).

3. Talk to people. Listen to what the people say who you travel amongst. Share tales and yarns, take notes. Go beyond the guide. Guidebooks tend to not even slice the cream off of what is out there.

Alternative to a Guidebook- Make a Travel Notebook:

Write your own friggin’ guidebook, that is what I say.

The internet is so full of good travel information that I feel as if the guidebook is becoming obsolete. If you have the time to make a “travel notebook” then I think this is the best, and most open, way to travel. Just grab an old school notebook, divide it into sections, paste maps into it, and write down any helpful information that you think you may need. Ask other travelers, hotel owners, tour operators, anyone about the road ahead, and record it all in your notebook. If you get stumped you can always just ask a local, another traveler, or do an internet search to fill in the blank spots. Remember that you can always borrow and take notes from the guidebooks of other travelers that you meet along the way. I think that this is a much more fun way to travel. You are in control of your direction and you can change and alter your notebook as needed.

And when you are finished with it, you can send it to me to put up on Vagabond Fieldnotes Hehehe.

So this is my advice based upon my experiences. As always, take it or leave it.

Walk Slow,


Wade from Vagabond Journey.com

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Monday, December 03, 2007

Graffiti in Portugal: The Other Side of the Wall

Graffiti in Portugal: The Other Side of the Wall

“I write graffiti because my head and my heart demands me to write. Because I wake up and I go to bed with graffiti in my mind. Because it's the only thing that makes me forget my problems and my sadness completely. Because it makes me happy.”
-Mister Dheo, Portuguese Graffiti Writer.

Portugal: home to ancient ports, ornate cathedrals, old-time cobblestone streets, and some of the most amazing graffiti in the world today. I stepped off of the bus into Lisbon on a sunny day in autumn, and I was immediately absorbed into the grandiose scene that spread out all around me. I felt as if I had stepped back in time, everywhere I turned I saw the amenities of an ancient stone world, but covering it all, was the luminous shout of the modern age- bright, bold, and extremely well done- graffiti.

All through Lisbon, bright tags emblazon 400 year old porticos, magnificent contorted faces dance upon the high white walls of ancient ports, and highly artistic three dimensional action scenes are spray-painted within the ebb and flow of old-time Portugal. As I walked through this living museum- which concurrently had on display historic relics and modern street art- I realized that I wanted to dig deeper into this contradiction and excavate the world of the Portuguese graffiti artist. I wished to learn how they transformed a cold, stone city into a living, breathing work of art, as well as discover the inner motivation which drives the graffiti artists to risk liberty and limb to display their art so publicly. My mission was to find these silent painters of the night, so that I could hear- in their own words- what graffiti means.

To hear the unspoken messages which scream inaudibly from every piece of graffiti in Lisbon, I met with a writer who goes by the name of Odeith on a brisk Saturday afternoon. He picked me up at the front gate of a giant shopping mall in a shiny black BMW. We were able to identify each other without difficulty, as we both have tattoos that creep out from our clothing and cover our hands, fingers, and necks. We shook hands jovially, and I immediately chided him about his seemingly prestigious choice of vehicle. He laughed and then quickly assured me that his BMW was over 15 years old and worth more separated into spare parts than in its present drive-able condition.

“So, what are you doing? What do you want to know about graffiti?” he then asked me as we jumped into his car and right into the content of my interview.


Odeith's Hall of Fame

“I want to know about the philosophy behind graffiti; I want to know what it means and what it communicates.”

“Alright, man,” Odeith then said with a deep smile and a nod of his head, “I will show you my Hall of Fame.”

At this, we turned a corner and drove on through the outskirts of Lisbon. As we rode passed a few middle class neighborhoods, Odeith taught me a little about the social circumstances that he grew up in. “I live in the ghetto,” he said, and then continued to tell me how he had to leave school when he was fifteen to help his father with his furniture business. Odeith told me that his neighborhood, called Cova Moura, is similar to the slums of Rio de Janeiro. I had a difficult time accepting this, as my previous travels in Portugal did not reveal many abject signs of economic disparity to me. But as I listened to Odeith speak, I got the feeling that I was being taken through a gate to the other, darker side of Portugal.

I then asked Odeith how he began doing graffiti, and he told me that his first tastes of the art was, like most graffiti artist, through bombing- illegally painting in various public spaces. “Every weekend we just painted three, four cans on the lines [corridors where the trains run], you know. . . For two years I was dedicated to the silver . . . Then I began thinking about bigger pieces.” And likewise, Odeith’s Hall of Fame- a collection of graffiti murals on a large wall- was born.

Graffiti by Odeith

As we approached the area of his Hall of Fame, which is on a towering stone wall that surrounds a grade school, Odeith explained that we had entered the frontier between middle class Lisbon and the slums. On one side of this colorfully painted barrier was a pleasant seeming urban suburb, and on the other side was the hill that harbors the infamous ghetto of Cova Moura. Odeith’s graffiti wall- his Hall of Fame- essentially acts as the gateway into the under-side of Lisbon; a warning sign and bold declaration of the horrors that you will find on the inside.

Another piece of graffiti from Odeith's Hall of Fame

Odeith parked his car on the brink of this frontier, and we approached his masterpiece on foot. The shear magnitude of this stone canvas was behemoth; it was more than 12 ft high and stretched for over 150ft in one direction just to turn a corner and go on for at least 150 more. Most impressive of all, was the fact that this mammoth structure was covered from bow to stern in bright, highly detailed, and immaculately well-done graffiti. I was overcome with shock as I got closer to this surreal monstrosity. It was alive, the paintings moved and breathed harsh tales about the daily struggle for existence. There were wildly painted, cris-crossing letters, realistic faces of women crying and men with big cigars, and illustrations seemed to jump off the concrete to pull you into the stories that are perpetually acted out upon the wall. Odeith was proud of his creation, and he excitedly explained to me how he painted it and what it all means:

“What I like about graffiti is the message. If you enter into the ghetto you see things that most of the people do not see. They are just roaches. Most of the people are just roaches. I try to give a message. If an MC can say something into a mic to the people, you can paint it on a wall. You paint on a wall to show something.”

Graffiti by Odeith

In his Hall of Fame, Odeith shows us a window into his life on the other side of the wall; of life in the desperate, covered up and ignored ghetto of Lisbon. He then directed my attention to a section of the wall that stands directly above the path up the hill to the Cova Moura ghetto.

“As Baratas Alimentam-se Dos Nossos Restos Nós Dos Restos Do Planeta”- The Cockroaches feed themselves on our leftovers, we on the leftovers of the planet- was written in big letters above a scene of frightening urban decay. “The roaches feed on our leftovers, we feed on the leftovers of the earth. What makes us less disgusting than the roaches?” Odeith ominously restated. He then told me how he wants to paint a large cemetery in the middle of his Hall of Fame, “because no matter what side of the wall you are from, we all end up in the same place.” Odeith then reflected for a moment before continuing,“You know what is a shame, man, for most of the people they only see the corner and what colors I use; they don’t see my feelings, they don’t see the ghetto, they don’t see the kids with drugs.”


Look at this closely! This is the graffiti work that gives justice to the name: Odeith the Illusionist

So I asked Odeith if we could walk together through the ghetto, so I could get a better idea of what he was talking about and where he came from. He seemed pleased with my interest in his neighborhood, and led the way passed his wall and into the world on the other side. Here the streets were merely dirt-paths, and were lined with shabbily made, discordant houses, broken down cars, and drug-addicts buying fodder for their maniacal habits. Odeith took me around this beaten down community and showed me a few of his graffiti pieces. One was a mural of the rapper Tupac, and served as a memorial to nine kids from his neighborhood who were either shot by the police or other kids. This truly was a world apart from the clean and orderly city of Lisbon, which stretched out in all directions below us. Odeith’s wall was really the gate between two separate realities, and he, the gate-keeper, was treated here as the King of this gutter.

But many people in the city have a difficult time realizing the beauty of graffiti, and it is illegal in Portugal. In lieu of this fact, artists either have to do hurried, quickly-done bombed pieces in the cloister of night, find obscure places to paint where they will not attract attention, or work with the communities that they wish to display their art to obtain permission from land-owners. The Porto based writer, Mr. Dheo, says that, “In Portugal, city councils don't support graffiti, they don't care about graffiti artists, they just want to stop graffiti vandalism. So the only way for you to grow up as an artist and have opportunity to work is to try to legalize walls for your own. I use to knock on doors with my portfolio and try my luck.” Odeith’s Hall of Fame was also done with the permission of the land-owner and the enthusiastic support of the local community. “The people love it,” Odeith says in reference to his masterpiece, and this sentiment is reflected by that fact that the people who live immediately adjacent to his wall donated over $350 so that he could purchase paint and supplies. Eskema, another Portuguese graffiti artist, would often take a different route to finding space to paint, and says that, “Most of them [his murals] are illegal, but I always manage to find a quiet, semi-abandoned place where I probably won't be bothered.”


There are obviously very mixed feelings in Portugal about graffiti. The old Lisbon neighborhood of Barrio Alto is almost 100% covered with bombed, illegal graffiti, and many people in the city want to clean it up. “Graffiti is considered vandalism and destruction of property,” Eskema explains. To this point, Mr. Dheo adds that “. . . it's obvious that a lot of people don't like it [graffiti]. Those are the older ones, who don't understand it, who are not open minded and can't even separate art from vandalism.”

Another presentation of corner illusion by the King of the Gutter: Odeith

I pondered these points as I was talking with Odeith, and I asked him what the common people of Portugal think about graffiti. “Do you know Barrio Alto?” he asked me, “Everybody hates it [graffiti] there. But to me it is a newspaper on the walls. Most of the people hate that bullshit. ‘That graffiti, that graffiti’ [they say] . . . To me it is a newspaper. I am reading right now who is in the town, who is more up, who is down. . .if I go to drink some beer in Barrio Alto, people there are talking about football or soccer or something on the TV and I am reading . . .you can tell who is more patient, who is more crazy, it is like a newspaper.”

As I returned to my room in Barrio Alto later that night, I took a detour so I could walk through the graffiti strewn streets and really think about what it all means. I tried to read the walls as if they were a newspaper, and I found that there are hidden stories told through each piece of graffiti that the general populous- who only sees scribbled lines and vandalism- could only conjecture. These are the stories of a people without a voice, and a can of spray paint is the only way they can make their feelings known. Their shouts cannot be heard, but the potent images of their art is forever thrown into the face and scrawled upon the city walls of the status-quo that keeps them entrapped in the nameless gutters of society.

Portuguese graffiti is a deep form of art that serves as an ominous reminder that we are walking in the dawning days of the twenty first century- a reminder that we live in a world that is still full of problems and disparities. Graffiti is a message that cries out for us to venture through the gates to the other side of the wall: to realize that we live in a world that is raw, unpolished, and beautiful. Graffiti also delivers potent messages which rise up from the gutters of Portugal and demands to be heard. In essence, graffiti is the voice of the of the streets.

For more information on Portuguese Graffiti and the artists mentioned above, please visit the follow websites:

Odeith the Illusionist
Mr. Dheo
Eskema Stage 3
Art Crimes
Photos of Graffiti in Portugal

A special thank you also goes out to the artists- Odeith, Mr.Dheo, and Eskema- and Susan from Art Crimes for their invaluable help. This ragged vagabond thanks you from the bottom of his heart.

Thank You,

Wade from Vagabond Journey.com
Lisbon, Portugal
December 3, 2007

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Tuesday, November 20, 2007

Isabelle Eberhardt

Isabelle Eberhardt: The Personification of Romance

“Africa ingests and assimilates everything that is hostile to it. Perhaps it is the Predestined Land from which the light that will regenerate the world will one day emerge!”
-Isabelle Eberhardt

“One very graceful impression is that of sunset over the port and the terraces of the upper town, and the gay Algerian women; a whole playful world in pink and green on the slightly blue-tinted white of the uneven and disorderly terraces. It's from the little lattice window of Madame Ben Aben that you discover all this.”
-Isabelle Eberhardt, Excerpts from Her Journals


Described by some as a desert queen in men’s clothing, by others as “too lazy to live,” the life and writings of Isabelle Eberhardt has captivated the imaginations of dreamers throughout the past century. Eberhardt was a female writer who penetrated deep into the heart of Algerian culture and society at the peak of French colonization, and left behind a legacy that has lived on in multiple biographies, movies, and the continual reproductions of her own writings. This is the legacy of a liberated women who lived a life outside of the constraints of both Arabic and Western values, and seemed to touched that far flung notion of unabashed freedom. From the pages of her diaries, one can discerned that Eberhardt was truly a romantic heroin cast adrift in a divine tragedy upon the seas of the great Sahara, as well as a ground breaking character who walked a path without predecessor.

A Photograph of Isabelle Eberhardt

Isabelle Eberhardt was born in Geneva in 1877, and had a very unconventional upbringing. Her father, Alexandre Trophimowsky, was an Armenian anarchist, one time priest, and convert to Islam, who sought to live along the communitarian model set forth by Tolstoy; while her mother was an aristocratic Lutheran German/ Russian. Together, they raised a family that was far outside of the conventional realm, as their approach towards parenting was extremely open and lacked many of the restrictions of 19th century society. In this setting, Isabelle was free to ride horses, get dirty, and dig deep into the substance of life. She was also provided with ample inspiration to cultivate the furthest stretches of her imagination and free-will.

Accompanied by her mother, Eberhardt’s first trip into North Africa was when she was twenty years old in May of 1897. Soon after landing in Algiers, both women quickly converted to the Wahabi sect of Islam, “fulfilling a long standing interest.” Her mother soon died, and her father followed two years afterwards in Geneva. Now, without parents, Isabelle Eberhardt’s only kin were a couple of despondent siblings residing in Europe. Henceforth, Isabelle found herself a cast away in the ebb and flow of the Arab world.

Eberhardt, now without family ties in Europe, plunged into the sands of the Algerian culture with her entire being. Dressed as a man, she called herself Si Mahmoud Essadi, and joined the Qadiriyya: a radical Sufi brotherhood intent on opposing colonial rule. With pen in hand and vehemence in her heart, she threw herself into the fray of the Arab liberation struggle. Eberhardt almost fanatically claimed that this new identity and way of life was her true calling, and declared that she felt much more a Muslim than she ever did an anarchist (or European for that matter). In opposition to the influences of Europe, she wrote articles which denounced the rule of the French in Algeria, and romantic prose pieces about the beauty of traditional Arab culture. This defiance of the colonizing mission is no better exemplified than when Eberhardt wrote in one of her journals that, “In spite of the crowds brought here by a prostituted and prostituting "civilization," Algiers is still a lovely city . . .” By this point in her life, Isabelle Eberhardt was thoroughly removed from the ideological influence of western culture.

One of Eberhardt’s post-humus translators, Robert Bononno, describes her as “. . . an artist and a rebel, [who] eschewed the conventions of bourgeois society (French, Swiss, and Russian), despised city life, sympathized with the Algerian people's plight during the height of French colonialism, dressed as a man, drank to excess, smoked kif, and was an outstanding equestrian. She spoke Arabic, studied Islam, became a Muslim, married a native spahi, and was initiated into the religious confraternity of the Qadiriya.”

Though completely dedicated to the Arabic way of life and the musings of the Quadiriya, Eberhardt’s stance as an ardent Muslim was simultaneously counteracted by her overbearing desire for free-will and self-determination. At the same time that she was deep into her Islamic studies, she would occasionally get intoxicated off of alcohol and marijuana, and indulge in promiscuous endeavors. Perhaps these personal excesses were a result of her anarchist roots, or perhaps it was just the natural tidings of her purely uncontainable character. What ever was the case, Isabelle walked a line that was perilously kept in balance by contradictory extremes.

Isabelle Eberhardt’s journals present us with a de-facto display of these contradictions; as, on one hand, she boasts of her complete devotion to Islam and berates herself for occasional bouts of unseemly behavior, and, on the other hand, she writes with exuberance about the romantic aspects of life that conflicted with a strict view of Islam. In point, Eberhardt was truly a multi-faceted individual forever deep in the perils of solidifying her own self identity. As she writes in her journal: “The farther behind I leave the past, the closer I am to forging my own character.”

During her lifetime, Eberhardt focused her literary attention on the European populous, and wrote many articles about Arabic culture and the colonization struggle for French newspapers, as well as a couple of novels. These writings where heavily romanticized by the European press, and Eberhardt became a personification of the exotic. The idea of a rebellious women setting out alone on horseback through the desert, disguised as a man, and befriending the mysterious Bedouin tribes was just what Europe wanted in those colonial times. Isabelle unwittingly became a poster-child for the exoticism of the Arab world, and her writings were read with great enthusiasm. Apart from literary pieces which added to the romantic notions that Europe held towards North Africa, Eberhardt also filled an important role as a reporter for the French press. She mainly wrote newspaper articles for the Algerian News, In the Hot Shade of Islam, and The Day Laborers, while also serving a stint as a war reporter in the south of Oran.

In 1901, tragedy struck as Eberhart was hacked with a sabre while praying at a mosque by a local Algerian hired to kill her. Isabelle’s left arm was nearly severed, but this did not impede her empathy for the would-be assassin. Eberhart stoutly defended this man in court, and successfully pleaded for his life. This is another example of the dept of her character, as she not only took pity on her assassin, but forgave him as well.

Isabelle Eberhardt was a woman who felt life and her emotions very deeply, and this was never more evident than in her highly romanticized courtships with various men in North Africa. After a few bouts of lustful obsessions with a handful of men, Isabelle eventually married Slimane Ehumi, an Algerian soldier, later on in 1901. Her journals show the continual up and down nature of this relationship; and the impact that both extremes had on Isabelle were written about with shear romance, if not outright extravagance. Eberhardt had a tendency to be taken over and driven by her emotions, and the extreme tidings of her love life were given impetus by this depth of feeling.

Eberhardt live a life that hung perilously in the crux of contradictory extremes- within religion, within love, and in literature- and the nature of her death was consistent with a life full of contrasts. On October 21, 1904, Isabelle Eberhardt died in a flash flood in the ordinarily parched Algerian Sahara. She was 27 years old. A death by drowning in the middle of a desert could not have been more consistent with the extreme tidings of Eberhart’s own character. She died as she lived: close to the edge of perilous contradiction, within an unshakable shroud of mystery.

A groundbreaking writer of Arabic culture and creative stories in her own time, Isabelle Eberhardt’s image has sprouted coats of exoticism in the intervening years since her untimely death. She left behind a small lexicon of literary work, and with it an unconquerable legacy. But who was this undaunting woman who left behind the “civilized” world and forged an identity for herself upon the harsh sands of the Sahara? This is the unsatiable question that has tantalized the imaginations of anyone who has pondered the life and writings of Isabelle Eberhardt.

More information on Isabelle Eberhardt can be found on Vagabond Journey's Old Time Travelers page.

Wade from Vagabond Journey Travel Guide
Vila Nova de Milfontes, Portugal
November 20, 2007

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Thursday, November 01, 2007

Burroughs' Interzone Found

Burroughs’ Interzone Found
Vila Nova de Milfontes, Portugal
November 1, 2007
Wade from: http://www.vagabondjourney.com/


There has always been an issue in my travels, a problem if you will:

I have an obsession with books.

That is right. I all too often find myself carrying far more books than my rucksack and back can hold. Sometimes I even think that I travel just to be able to read in peace. There are few things that I love more than sitting down with a thick old book and just reading away a day . . .or two. But this becomes a major problem when you carry your hearth and home on your back. Books are heavy. How can you carry so many heavy objects and still have the strength to climb over mountains or walk across cities? Easy:

You just need to come up with an appropriate weight training routine to build your muscles up to be the size of boulders.

No. That is not feasible.

So the only answer that I have come up with is to read through books fast, take excessive notes about them in a journal, and then pass them on to another traveler in hopes that when you run out of reading material another wanderer will be right there to replenish your supply. I know that this works, but I am still very hesitant to let books go.

A couple of weeks ago I finished William S. Burroughs’ Interzone while in Morocco. I carried this finished and noted book with me for two weeks across Spain and into Portugal looking for the appropriate traveller to pass it on to. I did not find anyone, so in exasperation after a long day of walking around Lisbon with all of my gear, I just dropped it in the street near a bus stop in Cais de Sodre. I wrote a little note in the inside cover:

To the finder: Enjoy!

Wade from Song of the Open Road travelogue http://canciondelvagabundo.blogspot.com

I waved goodbye to this book and thought that I would never hear of it again. I just figured that some fisherman would stumble upon it and mistake it for scrap paper to wipe the fish guts off of his hands. Well, or so I hoped. But beyond my wildest expectations I received this comment on my travelogue post, In Lisbon http://canciondelvagabundo.blogspot.com/2007/10/in-lisbon.html

Helena said...
hey there.. I'm here to notice you that I've found your book.. "INTERZONE" =) I'm enjoying ;)
1:21 PM
Barbara said...
I forgot to sign my name.. Helena is my best friend.. I'm barbara.. and I found your book =) I'm not really a "barbara walter" lol I don't really speak english.. my friend is writing this and readding the book =) where are you now? in some other trip aroundthe world? =)
1:40 PM


Good on you Barbara! It was a wonderful, message in a bottle kind of feeling when I read the comment that you found and were reading the book that I left behind. It always makes me happy to pass along a book.

  • William S. Burroughs
  • Interzone
  • Travel Books


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Sunday, September 23, 2007

Great Travel Books: The Royal Road to Romance

Great Travel Books: The Royal Road to Romance
Meknes, Morocco
September 22, 2007
Homepage: http://canciondelvagabundo.googlepages.com
Great Travel Books: http://canciondelvagabundo.googlepages.com/greattravelbooks

Richard Halliburton



“The Vagabond life is the logical life to lead if one seeks the intimate knowledge of the world we were seeking.”
-Richard Halliburton, Royal Road to Romance

The Royal Road to Romance was the first work of the adventurous, horizon chasing romantic, Richard Halliburton. It, essentially, is an account of a Walkabout around the world that he undertook around 1926 and later wrote down in a New Jersey mental institution. It seems evident to me that Halliburton read (and probably reread) Harry Franck’s A Vagabond Journey Around the World and was deeply influenced by it. Everything from Halliburton’s route, his travelling style, to his somewhat unsteady use of vagabond slang echos Harry Franck’s monumental work. But this is not meant as a slight to Halliburton, as any wanderer, myself included, who has read Vagabond Journey has the spirit of the book forever etched into their very psyches. The Royal Road to Romance is completely able to stand on its own two feet, as it takes travel writing into a completely new direction- the direction of Romance.

At the onset of the story, Halliburton explains the impetus behind his journey by reciting Dorian Grey’s ominous warning:

“Realize your youth while you have it. Don’t squander the gold of your days, listening to the tedious, or giving your life away to the ignorant and the common. These are the sickly aims, the false ideals, of our age. “Live ” live the wonderful life that is in you. Be afraid of nothing. There is such a little time that your youth will last- such a little time.”

Halliburton continues by exclaiming:

“The romantic- that was what I wanted. I hungered for the romance of the sea, and foreign ports, and foreign smiles. I wanted to follow the prow of a ship, any ship, and sail away, perhaps to China, perhaps to Spain, perhaps to the South Sea Isles, there to do nothing all day but lie on a surf-swept beach and fling monkeys at the coconuts."

The Royal Road to Romance
is just that: the story of one man’s search for the Romance of life- not the romance of women, but the Romance of the pure, essential underpinnings of the human spirit and the quest for pure substance. In this search, Halliburton turns to the Open Road and lives out the ingrained human urge to travel, to seek out adventure, to find out what is on the other side of the hill, and to embrace everything that is joyous, exciting, and essential. Royal Road is a declaration of the base impulse that is the impetus of every journey: the Wanderlust. It also shows us the reasons why we need to travel and what happens when you throw all discretion to the wind and fully embrace the Open Road and providence.

In these journeys, Halliburton becomes a sailor, frolics with French actresses, has tea with the president of Andorra, gets arrested for photographing the prison at Gibralter, sleeps on top of an Egyptian pyramid, spends a night hiding inside the Taj Mahal, steals rides on Indian trains, visits Kashmir, is almost killed by a cobra in Thailand, is robbed by pirates in Hong Kong, sneaks into Siberia, and sends his lucky tiger tooth to the Empress of China immediately prior to her banishment.

“I suppose she never received the tooth,” he wrote.

The Royal Road to Romance is a story about running life to the very edge just to feel its gentle touch. It is Hallibuton’s approach towards living that really makes this book special. He places the substance with which we fill our days above any abstract notion of wealth and prestige.
It is the kind of book that has the power to change someone’s life, as Halliburton’s message is straight forward:

“Let those who wish have their respectability- I wanted freedom, freedom to indulge in whatever caprice struck my fancy, freedom to search in the farthermost corners of the earth for the beautiful, the joyous, and the romantic.”

The Royal Road to Romance
is a truly beautiful expression of the joy of the Open Road and adventure for its own sake. It is an ecstatic cry to jolt us into action so that we do not let another day slip by without living it to its fullest.

“Sun and wind and beat of sea,
Great lands stretching endlessly.
Where be the bonds to bind the free?
All the world was made for me.”

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Tuesday, August 21, 2007

Great Travel Books, A Vagabond Journey Around the World

Great Travel Books, A Vagabond Journey Around the World
Amtrak train from Penn Station NYC to Rochester, NY
August 19, 2007
http://canciondelvagabundo.googlepages.com/


1.A Vagabond Journey Around the World http://www.harryafranck.com/vagabond.htm- This is the classic, seminal work of Harry A. Franck, who was life long traveller and writer. Of his twenty or so books that describe his travels through nearly the entire planet, this is his first and, and in my opinion, best. The travels that make up A Vagabond Journey were undertaken when the author was young, adventurous, and not yet a professional writer. In this book, Franck describes rather than explains; show rather than tells. Simply put, he wrote this book from the hip, with the seeming intention of documenting his experiences and impressions of the world as he found it- and nothing more. His focus seems to have been more on travelling the world than writing a book, which I feel is a necessary recipe for compiling a good travel book. Travel first, write second. This book is about adventure- pure and simple. It is about the simple human urge to GO!, to walk over the farthest hill. . . just to find that the only thing there is the journey over the next hill. In fact the journey that made up the book was started as a be. From the Forward of Explanation of A Vagabond Journey Around the World:

Some years ago, while still an undergraduate, I chanced to be present at an informal gathering in which the conversation turned to confessions of respective ambitions.

“If I had a few thousands,” sighed a senior, “I’d make a trip around the world.”

“Modest ambition!” retorted a junior, “But you’d better file it away for future reference, till you have made the money.”

“With all due respect to bank accounts,” I observed, “I believe a man with a bit of energy and good health could start without money and make a journey around the globe.”

Laughter assailed the suggestion; yet as time rolled on I found myself often musing over that hastily conceived notion. Travel for pleasure has ever been considered a special privilege of the wealthy. That a man without ample funds should turn tourist seems to his fellow-beings an action little less reprehensible than an attempt to finance a corporation on worthless paper.

A rebellion against this traditional notion suggested a problem worthy of investigation. What would befall the man who set out to girdle the globe as the farmer’s boy sets out to seek his fortune in a neighboring city; on alert for every opportunity, yet scornful of the fact that every foot of the way has not been paved for him?

Were I permitted an avocation it would be the study of social conditions; what surer way fo gaining vital knowledge of modern society than to live and work among the world’s workmen in every clime? In the final reckoning, too, an inherent Wanderlust, to which, as an American, I lay no claim as a unique characteristic, was certainly not without its influence.

In this way, A Vagabond Journey Around the World was born.

What I find to be most impressive about this work is that Franck did not bother trying to educate his audience or finding obscure little historic anecdotes to ensure that his book would be regarded as a work of literature. No, he simply wrote through the lens of his own experience and nothing more. All assumptions about the lands and people that he travelled amongst must be made through this record of experience- through the man himself. Franck was a man who wrote; the author cannot be removed from his words. A Vagabond Journey is a pure testament to the Wanderlust in all regards; I bow down and defer to it as a classic. This book is a joyous celebration of the Road. This is the tale of a true Vagabond Journey Around the World.

It sets my feet a walking. . . with a smile . . .

I wish for all travellers to read it.

FindingBlog - Blog Directory


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Sunday, August 19, 2007

Philadelphia, PA

Philadelphia, PA
Amtrak train from Penn Station NYC to Rochester, NY
August 19, 2007
http://canciondelvagabundo.googlepages.com


I returned from Hanover, PA to Philadelphia a few days ago. The strip malls of once rural America have the effect of deadening one’s senses of the outside world- or perhaps I was just sitting on a damn computer all day long, going through the head banging task of putting together and promoting a website.

A website? Why would I want to make such a thing? Why would I want to put anymore time than is necessary for, what has become, basic communication into being on a computer? The world is outside! This I know.

But the answer is simply because I like to write. And I like the idea of people reading my rambles. And the possibility that I can make $10 a day off of it, and could then refer to myself as a writer. I also like the idea that I could eat by writing. It seems so nonsensical, inane, and impertinent a living that I cannot help to be drawn to it. I figure that if I could make $10 a day from writing, I could girdle the globe continuously, working random jobs here and there when they come up.

Philadelphia, PA- a kaleidoscopic mix-about of the atlas. I go vertigo whenever I am in this city. I sometimes cannot tell where in the world I am. Indian grocery marts next to Vietnamese restaurants next to Japanese furniture outlets next to an African market next to a Korean shopping mall next to an Ecuadorian eatery called “Galapagos.” The people that surround me on the streets are straight out of everywhere else. Nobody looks like me, nor is speaking my language. But I am in my country. There is almost no reason to travel anywhere other than the outskirts of Philadelphia. I walk around with Mira, and buy some henna in an Indian shop and try to decipher their Hindi, then we eat at a Chinese place and we speak Mandarin, then we stop by a park and watch a crew of Africans playing soccer not knowing at all what language they are speaking. Philadelphia makes you want to travel, but also removes the logic need to do so- travelling comes to you there.

I was offered another archaeology job in Upstate, NY. I took it because it is near my family, and I would like to be near them before leaving for Asia in a couple of weeks. I am on the train home now. . . with Mira. The saga continues. We went to 30th Street station in Philadelphia this morning so that I could catch my train. Mira decided that she was not going to go, though she was also offered work, until ten minutes before my train was ready to leave.

“What do you have to loose?” I asked. “In two weeks time you could be standing in this same spot as if nothing happened- except you will have a few hundred more dollars in your pocket and you will get to be with me a little longer.”

She could not really answer this. So she hurriedly bought a ticket with the clothes on her back as her only luggage. So here we are riding up to another job. Myself fully provisioned, Mira without even a toothbrush. I like this girl, she is the least crazy person that I have ever met. It would be crazy for her to sit in Philadelphia for the stubborn spite of it as I rode away. It would have been crazy for her to turn down an opportunity because she could not grasp its feasability. To say yes is to prove your sanity.

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Saturday, August 18, 2007

To Korea

Philadelphia, Pennsylvania, USA
August 18, 2007
http://canciondelvagabundo.googlepages.com


So I bought a ticket back to Asia. Going to walk some pilgrimage routes down the ol' Buddha trail. My flight comes into Seoul, and I hope to be out of that monstrosity and into the green green hills in short order- for there are mountains to walk and trails to tramp. There are Three Jewel Temples in the southern-most provinces which represent the Buddha, Dharma, and the Sangha, which I intent to walk a path between- just to find whatever I find. Pondering the old mendicant monk tradition, and the necessity for itinerantcy and solidarity in the daily diet of religious practice. I just want to find out if the wandering monk tradition still exists as represented in old time literature and poetry of the East. From previous long walks in Japan, I know that it does. I just want to check again hehe . . . if only for the joy of it, perhaps.


The above map was taken from: http://ieas.berkeley.edu/images/cks/kang04_korea_physical.jpg


I just really want to be walking in mountains, breathing fresh air. I have been in cities these past couple of years far too much. So much that I have began enjoying them. It is high time to get far out on empty roads.

After Korea I think that I would like to go to Northern Africa- to Tunisia. On this I will write more soon. The Sahara, the Sahara!


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Friday, June 01, 2007

By Train Across Southern China

Nanning, Guangxi Province, P.R. China
6.2.2007

"All that my freedom has brought me is the knowledge that I have a face and have a body, that I must feed this body and clothe this body for a certain number of years. Then it will be over."
-V.S. Naipaul
Santosh, In a Free State


The "no-seat" area by the doors of the train where I rode out the ten hour journey to Hangzhou all wrapped up in a mass of Chinese. We were all uncomfortable, but there is an odd sort of solidarity that comes from simple discomfort.

Fisherman on a navigable raft in a river that runs through Nanning.
"They are dancing in the streets over here!" They really are.
River that runs through Nanning.
Naked man in the street. This is one of the odd joys of travelling- getting to observe the oddities of humanity first hand. Today I watched this naked man for a while, yesterday I watched three ladies and a man brawl in the streets- one lady was actually beating people with an umbrella. The simple amusements of travel.
My favorite meal; eggs and tomatoes with rice.


So I took leave of Lauren and returned to Tai Shan. The last time I was here it was with Mira and we had wanted to get her father a holy stone from the holiest mountain in all of China, but we had forgotten. Now I that I had the chance to do so again I did not want to let fatigue stop me. So I bought a "no seat" ticket on the evening train to Hangzhou and took off towards the foot of Tai Mountain. It was nearly an hour walk from the station, and I was really feeling the weight of three days of continuous travel. But I soon made it to the beautiful area leading up to the mountain, bought a one yuan ice cream, and began climbing up. I soon found myself on a little ledge where I dropped my pack, stripped off my sweat soaked shirt, and laid down on a large stone slab. I napped here in peaceful rest just listening to the birds and the silence for an hour or so. It felt really nice to be off of the highway and with the trees and rocks of a large mountain. But all too soon it was time to be moving again: so I scooped up a few quartzite stones that I thought that Mira's father could weave into some form of jewelry and began tramping back to the train station.

I rushed in to the station and tried to get near the front of the line for my train, so that I would fare a little better in the battle royale for seats that I knew would ensue. When you get "no seat" tickets in China you have to do just this- fight. You just have to find yourself a seat- somehow- or stand for the entire journey. So I fought my way through the multitude of Chinese, who also obviously did not feel like standing for the next ten hours, to no avail. With all of my planning and assertion I could not outwit the Chinese. So I stood wedged into a crevasse near the carriage door for ten hours. I was not alone though, as the entire area where the rail cars meet was packed full of Chinese men and women. We all struggled and shifted throughout the night, ever trying to position ourselves in a way that would allow for a little sleep. But it was nearly hopeless. We were all tired, cramped, and miserable, and we knew that that was how we would stay until we reached our respective destinations. But there is a certain form of solidarity that comes from discomfort and misery, and I felt more in tuned with the Chinese men whose legs were wrapped around my own that I ever could have otherwise. I almost enjoyed this cramped up ride- mushed in like cattle, moving through the Eastern China night. All along I knew that Lauren was riding high in a posh little vehicle comfortable on a fast Chinese highway. Later on I found out that he was.
By morning we reached the terminus of our journey, and I again stepped out into Hangzhou. Andy the Hobotraveler.com just wrote about places in the world where he can "hang his hat," and Hangzhou is defiantly one of these places for me. In Hangzhou I stayed with some dear friends for a couple of days then set out for Vietnam. I bought a third class train ticket to Nanning, which is in Guangxi Province and the last stop to get a Vietamese visa. It would be a 27 hour train ride in a hard seat of a cramped rail car that would be packed full of Chinese. I figured that after riding ten hours without a seat I could do 27 in one. Besides, it costs twice as much for a hard sleeper. I was right, I could do it fine...but it was still a bit of a test.
From my notebook:
27 hour third class rail journey. Legs crammed under me. Everybody's legs are crammed under them. We would all love to stretch them but there is not room. Moving towards Vietnam. I hear that it is a beautiful country.
Asia is for the introverted.
Grimy men play cards.
Everybody strewn over everything.
Vendors shout to sell steaming food under dirty blanket.
Florescent lights that do not turn off.
Train guard walks by periodically shouting through a blow horn
so that nobody slips off to sleep.
27 hours.
Chinese train travel.

To get back to hat hanging, Andy the Hobotraveler.com wrote:

"There is an end to all travels, there is an end to the road, and it is where a person hangs their hat. I personally believe that I will have about six ends of the road, those places I return so often it appears like I live there."

I don't know how many places that I will eventually have to "hang my hat" in, but Hangzhou is defiantly one of them. I have stayed there twice now, two years in a row for a total of around seven months. I have studied there, I have worked there, I have lived with two lovers there (and really feel in love with one of them), I was with friends there, I was also alone, I absconded, I raged, I laughed, I got angry, I relaxed. I know where to find cheap, good quality food, I know where to go to be alone. I know the mountain paths like the back of my hands, I know the city's secret little nooks. I love that city, I am comfortable there. But every place reaches the end of its tether. Or I reach the end of my own. I do not think that there is any place on this planet that I can stay for over four months straight- or at least I do not know if it yet. My Grandfather use to call me his "rambler," and I think that he was right. The road is my home, as it was for him.
This brings me to that fact that I was just accepted into a good Forestry school in the Adirondack Mountains of my home country. I get this nagging thought sometimes that it may be really nice to sit somewhere for a while in the mountains, to have a dog, a pickup truck, Carhartt overalls, a wife, and a garden. But I now think that these are just thoughts of fancy conjecture- thoughts that are nice in the thinking but lacking in practice. I know how I get when I stay someplace for a few months. I become neurotic. I think that my mind has gotten so use to the continuallity of new horizons that when I gaze upon the same one for too long I begin to introvert my wanderlust.....and this just manifests itself in neuroticism. I am calm when I am in motion, when I can be tried by new scenes and situations daily. The route of the word travel is "travail," and I like the constant challenges that come with wandering. When I try to stay put my mind becomes too active, and does not blend in with the uniformity of my surroundings. I become overly particular about small matters and difficult to live with. When I am out on the Open Road I feel free and my mind is at ease. I am laid back and happy. Content. Now I have a nice little woman who is cut of the same stuff to tramp along with me, and everything seems complete. I do not need anything more. So I probably will not attend Forestry school in the Adirondack Mountains- as much as I would love to study forestry for a while- and instead I will stay put, like a happy rolling cowboy, in my waderjahr.
No, a regular schedule, a boss, a house, pickup truck, dog is not for me. I have travelled way too far to turn back now.
From V.S. Naipaul's book, In a Free State:
The tramp, when he appeared on the quay, looked very English; but that might have been because we had no English people on board. From a distance he didn't look like a tramp. The hat and the rucksack, the lovat tweed jacket, the grey flannels and the boots might have belonged to a romantic wanderer of an earlier generation; in that rucksack there might have been a book of verse, a journal, the beginnings of a novel.. . . when he came nearer we saw that all his clothes were in ruin, that the knot on his scarf was tight and grimy; that he was a tramp.
The tramp reappeared. He was without his hat and rucksack and looked less nervous. Hands in trouser-pockets already stuffed and bulging, legs apart, he stood on the narrow deck like an experienced sea-traveller exposing himself to the first sea breeze of a real cruise. He was also assessing the passengers; he was looking for company. He ignored people who stared at him; when others, responding to his one stare, turned to look at him he swivelled his head away.
In the end he went and stood beside a tall blond young man. His instinct had guided him well. The man he had chosen was a Yugoslav. . . the Yugoslav was willing to listen. . . and the tramp spoke on.
'I've been to Egypt six or seven times. Gone around the world about a dozen times. Australia, Canada, all those countries. Geologist, or use to be. I've been travelling for thirty-eight years. . . But what's my nationality these days? I myself, I think of myself as a citizen of the world.'
His speech was like this, full of dates, places and numbers, with sometimes a simple opinion drawn from another life. But it was mechanical, without conviction; even the vanity made no impression; those quivering wet eyes remained distant.
The Yugoslav smiled and made interjections. The tramp neither saw nor heard. He couldn't manage a conversation; he wasn't looking for conversation; he didn't even require an audience. It was as though, over the years, he had developed this way of swiftly explaining himself to himself, reducing his life to names and numbers. When the names and numbers had been recited he had no more to say. Then he just stood beside the Yugoslav. Even before we had lost sight of Piraeus and the Leonardo da Vinci the tramp had exhausted that relationship. he hadn't wanted company; he wanted only the camouflage and protection of company. The tramp knew he was odd.
Is this the way it will be? Well, I do have "Kosmopolites Eimi"- which is Greek for "Citizen of the World," to quote Diogenes who coined the term- tattooed around the ebb of my palm (a kind of joke for the immigration inspectors to read when I hand them my passport). So it is, so it is.
I think that I may work on my hat a little tonight. I like to keep a little money stashed away in my cap for a rainy day. But when travelling you realize that when that rainy day comes you will not have any idea what currency you will need. So, therefore, I will make little duct clothe pockets on the inside of my hat for the multiple types of currency that I carry.



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Tuesday, May 15, 2007

To Mongolia!

Beijing, P.R. China
5.15.2007




This is my train ticket to the Chinese border with Mongolia in the Gobi desert. I had to dodge a good tourist trap punch to end up with it. It would be really nice to get out in the desert for a few days before I have to get to Ulaanbaatar to register for a 90 day entry permit. After being in China and India for the past nine months I am real excited to get to a place with wide open plains and relatively few people. From the two most densely populated countries on earth to the least! A smile comes to my face at this notion. This is the title page to Harry Franck's seminal book of travel. It was his first book so it maintains the rawness of youth and the unabashed splendor of life on the road. I am currently travelling around with this book in my rucksack. It is big, heavy, and almost a hundred years old. Seriously, it is a first edition copy, and was published in 1910.

Photos from the book. Oddly enough, Franck travelled with a Kodak camera and spent all of his funds on photographic supplies. This is kind of funny because he often times did not even have enough money to eat. But he wanted to document his journey in photographs, and now little vags like myself can look at his photographs and ponder at how everything still looks the same. If Adam Katz- World Traveller ever happens to read this travelogue I suggest that he read this book. There is a really awesome section on travels through Egypt. I am going to begin a writing project based off of this book soon, but I will write more of this later.

Now, I am fully faced towards Mongolia!

I bought my train ticket to go up Mongolia way yesterday. I had to dodge a hard right hook to get it though. I went to the train station and asked around how I should go about getting a ticket and nobody seemed to know anything. Well, until I asked one particular ticket vendor and he just sat in his little booth for a moment thinking about it, and then just looked up at me and said "there" while pointing to the imposing structure of the, appropriately nomenclated, International Hotel. I knew what was to follow.

So I walked through the throng of people mulling around in the station's large courtyard, across the street, down one large Beijing city block (among the largest in the world), past the sharp dressed chauffeurs standing vigilantly at the front doors, and into the International Hotel. Inside was just rich. There is nothing more that I really wish to say about it. As I feel real uncomfortable around such company (my place is with the butchers, planters, and day laborers of the world) I quickly asked where I could buy the much sought for ticket. He directed me to go upstairs, and I hastened up them.

I found the CITS office rather quickly, as it stood out amongst the cafe latte stands and jewelery shops, and walked right in and asked for a ticket. The fellow behind the desk spoke unsteady English, so I switched to my unsteady Chinese. I asked for a ticket to Ulaanbaatar. He named the price- 678 kuai. Nearly eighty dollars! No way. It is only a thirty hour ride from Beijing. No way. I could get to Moscow for $250 on the same train! But this was the price for a hard sleeper, so I requested a hard seat. He wouldn't sell me a ticket for one. "It is a long way," he said. I requested a hard seat a second time. He still would not sell me one. He then proceeded to tell me that there was not any seats, only sleeper compartments, on this train. Which may or may not have been true, as it was the Siberian Express that I was trying to take a ride on. I then questioned him about train number 23 which was not the Siberian Express that was also suppose to run to Ulaanbaatar. He told me that there was no such train. Which may or may not have been true. Either way I had enough of these dealings and quickly left the International Hotel. I returned to Beijing central to get a local train out to the border town of Erlian. It cost me 142 kuai (little over seventeen dollars). Thus satisfied and happy, I stuck the ticket into my breast pocket and returned to my hostel to begin studying a little Mongolian.


"US citizens need none visa because Mr. Bush has blackmailed the Mongolian government with his signature to the contracts of the development aid."Quoted from Hairibo on LP Thorn tree.

Well, I take it. Thank you, president. This is perhaps the first time that the regime has done anything that has personally benefited me. I knew that 50.00000001% of the voters in my country voted for him for something. Now I know, it is so we can all go to Mongolia for 90 days without a visa! Tommy-rot. The agreement was probably made so that Mongolia looks more attractive to US visitors (really, how many are there?) to boost their own tourism industry, or (more likely) so that they can boast of an apparent "show" of "friendship" with the big bad USA. I do not really think that Mr. Bush had much concern for my desire to tramp through Mongolia. I don't think that he spends much time sitting around the oval office thinking about all of the dirty backpacking vagabonds of his great land that would love to go footloose in Mongolia for three months without needing to bother themselves with a visa. If this was the case then please Mr. Bush patch up things with Iran, there are plenty of American backpackers who would love to travel there without visa hassles; remove the troops from Iraq, there is a whole bunch of vagrants who would jump for joy to travel through the fertile crescent! That just sounds so ridiculous to me.

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Thursday, April 19, 2007

A message from a friend

Hangzhou, China
19.04.07

I just received an email from an old friend that shook me up a little.

He is a real strong farm kid whom all other men just inherently look up to. He is seriously an archetype of the modal man regardless of what cultural lens one is using- I mean this in the highest sense possible. The fact that he would probably frown on me saying so just makes it all the more true. He embodies the myth of the hero in the flesh- he knows how to stand on his own two feet, when to step forward, and when to stay still. Just being in his presence is to be inspired. He is a man who has the ability to make other men feel good within themselves, his righteousness becomes contagious. He just has it. The Chinese have an old story called, "The Outlaws of the Marsh," which is essentially an instruction manual of what constitutes a good man written out in over a thousand pages. I have been reading through this book for years and trying to incorporate its lessons within myself. But Johnathan has no need for such folklore.....he just already knows it, lives it. .He is a true Hero of the Marsh.....yes, Song Jiang would bow to him, as would I.

Well, Jonathan just wrote me a message to tell me that he appreciates our friendship. I am floored. It just feels really good to have a deep connection that I have always cherished with another person actualized. Spoken of. Shared. I just appreciate that he would make our friendship a point of celebration.

My old travelling companion Stubbs once told me in a Kunming teahouse, "There is no closer friendship than that between two men," and I believe that this deep friendship has been eroded a little in America; where every man tends to act as a floating island.......Sometimes I feel as inanimate as a kitchen table. In the Outlaws of the Marsh story there is such an emphasis placed upon brotherhood, the joy of having a connection with others, the celebration of friendship.

Thank you for that call to Brotherhood. Thank you for waking me up.

So little do I tell other people what I think about them. It is rare when I find the courage or the impetuous to tell someone that I really do enjoy their company- that I cherish the time that we have had together. I just feel too distant, like I am perpetually walking away.

Johnathan, I truly admire you, Brother.

I rejoice in the thoughts of our past rampages.

On to more!

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Tuesday, January 03, 2006

Traveller quote, Kerouac, Big Sur

"...Ah, life is a gate, a way, a path to Paradise anyway, why not live for fun and joy and love or some sort of girl by a fireside, why not go to your desire and LAUGH..." -- "Big Sur”

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Traveller quotes, The Drifters, James Michener



These are from "The Drifters" by James Michener:

Gretchen suggested, 'Why don't you try India? A lot of people find the answers...the illumination...in India.'
Now Big loomis broke in: 'You would be out of your mind to waste one minute in that country. No fable of our time is more ridiculous than the one which says that India has the answer to anything.'
'I was speaking of the spirituality,' Gretchen replied.
'So was I,' Loomis said. 'I lived in India for the better part of a year....also in Sikkim and Nepal....good grass.....good conversationamong the Europeans. But the illumination referred to by starry-eyed kids in Greenwich Village and Bloomsbury...it's not there. That's an illusion sponsored by half-ass professors in half-ass American colleges.'

'People who live in grass houses shouldn't get stoned.'

When I'm lonely, dear white heart,
Black the night or wild the sea,
By love's light my foot finds
The old pathway to thee.
-'Eriskay love lilt'

Our country is wherever we are well off. -Cicero

Jungle, desert, tundra, icecap, the long wastes of the sea......
these are the mansions of the lonely spirit.

Lasca used to ride
On a mouse-gray mustang close to my side,
With a blue serape and bright-belled spur;
I laughed with joy as I looked at her!
Little she knew of books or creeds;
An Ave Maria sufficed her needs;
Little she cared, save to be at my side,
To ride with me, and ever to ride...
-Frank Desprez

For my part, I travel not to go anywhere, but to go. I travel for travel's sake. THe great affair is to move. -Stevenson

A steady patriot of the world alone,
The friend of every nation but his own.
-Canning

Don't put off for tomorrow what you can do today, because if you enjoy it today you can do it again tomorrow.

A man who leaves home to mend himself and others is a philosopher; but he who goes from country to country guided by blind impulses of curiosity is only a vagabond. -Oliver Goldsmith

Men go abroad to admire the heights of mountains, the mighty billows of the sea, the long course of rivers, the vast compass of the ocean, and the circular motion of the stars, and yet they pass themselves by. -St. Augustine

Young men should travel, if but to amuse themselves.-Byron

I pity the man who can travel from Dan to Beersheba, and cry, 'Tis all barren.' -Laurence Sterne

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